
Artist Statement
I love the physical process of cutting into paper with a knife. I lightly draw on the back side of the paper first. It is important to consider, as I am working, how the piece will look when it is reversed. When I begin to cut, I find my knife has a mind of it’s own. Pieces and scraps of paper begin flying until, at last I have released, through cutting, a stark, graphic image in negative and positive shapes. The challenge is to keep the entire image intact within the frame of the paper without the whole piece falling apart. The more I cut out of the paper, the more fragile it becomes.
The tradition of papercutting travels back in time and also back and forth geographically. Historically, its true origins are not known, but the art is evident in many cultures, such as Turkey, North Africa, India and Asia and includes the well known “Papel Picado” from Mexico, “Scherenshnitte” from Switzerland and Germany, “Papiersnyden” from Holland, and “Wycinankie” from Poland.
My personal papercutting heroes are Henri Matisse and his exuberant papercut collages; Hans Christian Andersen’s papercuts, cut out as he told stories to children, with big, clumsy sheep shears; and Kara Walker’s papercuts, especially her interpretations of Uncle Tom’s Cabin.Biography
I was born and raised in Providence, Rhode Island. My parents had envisioned a future in business for me but my heart envisioned a future in art. My love affair with the stark simplicity of black and white probably originated with the attire of my early education teachers: nuns. Their black and white habit was a stunning visual, especially when they stormed down the aisle, their veil and the skirts swishing, to take some kind of action in the back of the room. The sheer beauty of black and white was imprinted on my artistic soul.
Over the years I have studied art in different forms and mediums. Graphic design at RISD, painting in Connecticut at the New Haven College of Arts & Crafts, and printmaking in Oregon at Marylhurst University.
Printmaking in general, and linocuts in particular, brought me back to my affinity for black and white. On my own, and without a press, I turned to cutting black paper and mounting it on a white background to achieve the stark, crisp look that I love.
My accomplishments include illustrations in publications, newspapers, literary magazines, cd cover art, brochures and corporate identity signage. My work has been shown at Maryhill Museum, L&B Gallery, Oswego Lake Gallery and the American Institute of Architects Gallery. In 2005 the publication Women in the Arts listed me as a “woman to watch” in the Pacific Northwest Arts.
I am excited to have been commissioned to execute four large metal panels for a public art project in the Pearl District of northwest Portland. I created four papercuts that were scanned and digitized in preparation for the water jet process by the metal fabricator. It was during this process that Oregon Public Broadcasting interviewed and filmed me at work for their Oregon Art Beat program. The segment aired October 23, 2008 and that video can be viewed here.![]() |
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Conch Hold a baby to your ear Who can break a baby’s code? |
A Cradle Song The angels are stooping God’s laughing in Heaven I sigh that kiss you, ~William Butler Yeats |
Here Here I am in the garden laughing how did this happen at last a woman that’s my old man across the yard |
The Peace of Wild Things When despair grows in me |
Snow A heavy snow, and men my age all over the city ~George Bilgere |
A Telephone Call Please, God, let him telephone me now. A Telephone Call ~Dorothy Parker |
Tender is the Night “Yes.” He lowered the megaphone Excerpted from |
The Firefly The firefly’s flame |
What do you do when you say When a poem I’m writing |
When I Met My Muse I glanced at her and took my glasses |
When You Are Old When you are old and grey and full of sleep, How many loved your moments of glad grace, And bending down beside the glowing bars, |
Witness This slave cemetery has no |
A Woman Meets An Old Lover He with whom I ran hand in hand appeared before me with anxious face, pale, He whom I cannot remember hearing laugh out loud He who seemed always |
Song of the Wonderful Surprise Start with the fact of space; fill it up |
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