Sarah Bodman • Bristol, UK |
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Sarah Bodman A tour of the garden of Livia (wife of Augustus Caesar). Livia used her knowledge of 'medicinal' plants to remove any human obstacles which threatened the stability of the Imperial family in Rome. Edition of 30, 24 pp, 16 x 16 cms. Water-based screenprinting inks, with all pages hand-tinted in watercolour. Printed on Somerset Satin 300gsm. Hand bound by Guy Begbie, hardback cloth covers. |
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Sarah Bodman 'Viola' is based on the true story of a lady who loved to bake and decorate cakes for her parties; Viola would do anything to have a reason for entertaining her family and friends. Unfortunately, Viola developed such a taste for parties that she began to arrange certain events in order to bake and ice more cakes. Archival inkjet print from original photographs and assemblages on Velin Arches Blanc. Hard covers bound in pale pink suedette with embossed title and ribbon ties by Bristol Bound Bookbinding. 2004, Bristol, UK. Edition of 10, 18 pp, 15 x 15 x 2.5 cms. |
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Sarah Bodman An artist’s book about the end of a love affair between a flower arranger and a plane spotter. Following the instructions within provides closure for the flower arranger. 34 pages, black and white interior, pulp-fiction paperback, colour cover. To purchase this work please contact Laura at 23 Sandy Gallery. |
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Second in the series inspired by Richard Brautigan’s novel The Abortion. The photographs in this book are of flowers I have found or placed, and actions taken in hotel rooms whilst travelling. This volume also includes tributes in reference to hotels mentioned in novels by Haruki Murakami and Colin Dexter. The Dolphin Hotel has the same name as the hotel central to Haruki Murakami’s Dance, Dance, Dance - which I was reading at the time, so had to stay there. As with Murakami’s hotel, there was a brass plaque at the entrance and the musty smell was possibly the same. I was disappointed however, to find that there were only 2 floors rather than the 16 of the novel, and no elevator with which to enter Sheep Man’s world. In Colin Dexter’s novel, The Way Through the Woods, Inspector Morse stays in Room 27 of The Bay Hotel, Lyme Regis. I booked the same room, and took the book with me. The room was as described in the book, except for the broken window and lack of hot water. In the morning, I got up at 6.45 am and made coffee, whilst looking at the view of the bay, as Morse had done. The evening proved more difficult; I could not follow his footsteps by eating in the hotel restaurant, as dinner was not served out of season. Edition of 25, concertina book, 13.5 x 8 x 1.5 cms. Archival inkjet print onto artists’ paper, bound with black book card, screenprinted white title and text on inside cover To purchase this work please contact Laura at 23 Sandy Gallery. |
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Sarah Bodman Third publication in the series inspired by Richard Brautigan’s novel The Abortion. The photographs in this book are of flower placings, actions and associations, produced in hotel rooms I have occupied whilst travelling. This third volume includes tributes made in Australia, UK, Japan, The Netherlands, Estonia and USA. for books by: Haruki Murakami, Ray Bradbury, Iain Sinclair, Tim Gautreaux, Robert Bloch, Agatha Christie, Edgar Allen Poe and Ed Ruscha. Edition of 25, 13.5 x 8 x 1 cm. Archival inkjet print from original photographs on Woodstock Superfine paper, bound with six-sheet card and wallpaper covers, screenprinted text on inside cover. 2008. To purchase this work please contact Laura at 23 Sandy Gallery. |
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Sarah Bodman This series has become a set of journals, documenting my own actions as well as those of characters in novels, or writers whose work I admire. Working in Poland, meant a stay near the home of the writer and artist Radoslaw Nowakowski so we could interview him and film his books. He lives in Dabrowa Dolna, a tiny hamlet, and as I sat outside at dusk with the dogs barking (reading Ethan Frome by Edith Warton) I noticed the garlic that had been nailed up for protection outside the front door by the wonderful B&B owner. In Minneapolis in winter, with long, cold corridors but no snow, I’m reading The Shining by Stephen King, and set about typing “all work and no play” on a portable plastic typewriter. Edition of 25, 13.5 x 8 x 1 cm. Archival inkjet print from original photographs on Woodstock Superfine paper, bound with six-sheet card and stitch into cover, screenprinted text on inside cover. 2009. To purchase this work please contact Laura at 23 Sandy Gallery. |
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Sarah Bodman GM Future explores some of the possibilities of genetically modifying nature on the cusp of the millennium. The book offers a series of examples from slow growing grass, to specially bred plants, and some of the consequences of these experiments. Texts are interspersed with pages collected from old gardening books, and therefore; each book is a unique copy within the edition, as no two collected pages are the same. Edition of 200, 34pp, 12.5 x 17.5 cms. Each book comprises: 17 screenprinted text pages, 17 cut pages from old gardening books, spiral white metal binding, screenprinted heavy card covers. |
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Sarah Bodman An original selection of views for placing in a hotel room. Inspired by Richard Brautigan’s novel The Abortion, which featured an old woman who wrote a book about growing flowers in her hotel room by candlelight. The photographs in this book are of flowers I have found or placed in hotel rooms whilst travelling, some with a literary reference. Edition of 25, concertina book, 13.5 x 8 x 1.5 cms. Archival Inkjet print on photographic paper, bound with white card. 2003. |
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Sarah Bodman • Sold Out Titles |
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Sarah Bodman (UK) and J P Willis (Australia) A collaborative book; inspired by the Romantic poet Elizabeth Barrett Browning’s Sonnet 43. An example of how far people in love will go to keep it. Edition of 20, 10 pages, accordian binding with laser cut overlays. Hard bound cover with string ties. 15 x 15 cm (6 x 6 inches). 2009. To purchase this work please contact Laura at 23 Sandy Gallery. |
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© All images and text copyright the artist. All rights reserved. |
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