Susan Lowdermilk • Eugene, OR |
|||
![]() |
|||
Susan Lowdermilk
Eadem mutata resurgo. Though transformed I will arise unchanged. The title is a quote by 17th century Swiss mathematician, Jakob Bernoulli. The images, diagrams and equations reference the inherent nature of fractal geometry through the continual appearance of the logarithmic spiral. Lithography, collagraph, woodcut and powdered pigment on Stonehenge and Somerset papers. 11.5 inches x 15 inches. 2010. |
|||
Susan Lowdermilk This book was created in reaction against the US/Iraq and Afghanistan war. The two-dimensional woodcut image that makes up the tunnel structure was originally titled, “Peace Inside the Noise” and was meant to stand on it own. As a tunnel book, I feel the piece visually and conceptually supports Stafford’s message in his poem, “A Ritual to Read to Each Other”—A plea for reliance on community and cooperation for peace and harmony. A Ritual to Read to Each Other by William Stafford If you don't know the kind of person I am For there is many a small betrayal in the mind, And as elephants parade holding each elephant's tail, And so I appeal to a voice, to something shadowy, For it is important that awake people be awake, Tunnel Book with three panel wrap around cover. 12 x 15 inches. “A Ritual to Read to Each Other" poem copyright © 1998 by the Estate of William Stafford. Reprinted from The Way It Is: New & Selected Poems with the permission of Greywolf Press, Saint Paul, Minnesota. Text set in Gill Sans Condensed, printed from polymer plates at lone goose press, Eugene, Oregon. Woodcut image printed on Zerkall Niddegen paper by Susan Lowdermilk. Edition of 25. 2007. To purchase this work please contact Laura at 23 Sandy Gallery. |
|||
![]() |
|||
Susan Lowdermilk Power Play is structured as a Jacob’s Ladder toy. The game Rock, Paper, Scissors inspired the imagery for the book, printed from original woodblocks in grey and black, with open ended slip cover. "Through my creative practice as a printmaker and a book artist, I represent inanimate objects and abstract marks as visual metaphors or allegories. I explore tenuous qualities of human interaction, struggles and experience. I explore the use of simple, forms such as 'X' and 'O,' symbolic for 'hugs and kisses' or 'tic-tac-toe.' I'm informed by familiar leisure games like 'Rock, Paper, Scissors,' to reference interpersonal communication." 4 x 4 inches closed. Edition of 35. 2002. |
|||
![]() |
|||
Susan Lowdermilk I met Jeanine Hathaway in 2004 at a show of my prints in downtown Eugene, Oregon. She was writing poetry while on sabbatical leave from teaching at Wichita State University in Kansas. It turned out that she was also my neighbor, renting a room down the street and we became friends. Jeanine was inspired by my woodcut diptych titled, “Remembering, Forgetting,” and wrote the poem, “XO, On what might have been our anniversary.” I created my artist’s book, inspired by her poem, printed from the woodblocks I crested for “Remembering, Forgetting,” thus completing our circle of creativity and inspiration. Text is ink jet printed on organdy fabric using an Epson C88. 6 1/2″ x 4 1/2″ x 3/4″, 2007. To purchase this work please contact Laura at 23 Sandy Gallery.
XO On what might have been our anniversary Jeanine Hathaway
|
|||
© All images and text copyright the artist. All rights reserved. |
|||



