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Best of Show! Some Harvard Bathrooms Kristy Lynn Carpenter |
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Best of Show! Living Proof Mercedes Dorame |
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Best of Show! Cast a Cold Eye Jonathan Sharlin |
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Best of Show! Worth the Trip Melissa Stallard |
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Photo+Book • The Exhibition
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Rabbit Bobby Abrahamson |
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Fort Ord Requiem Susan Bein |
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The Corporeal Road Greg Britton |
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Interior Nature Karen Bucher |
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The McCann Family Karen Davis |
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15 Surface Studies C. Bruce Forster |
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Visual Healing Maura Freeman |
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New York Barbara Gilbert |
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November 4th, 2008 - Phoenix, Arizona Andrew Hammerand |
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On/Off/Photo Andrew Hammerand |
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Souls by Water Stewart Harvey |
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Veronica Douglas Holleley |
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Within the Ice Michael Francis Kelly |
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Lost and Found Heidi Kirkpatrick |
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Between Twilight Kimi Kolba |
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Witness Nate Larson |
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Untitled Rhapsody Jim Leisy |
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Exit Wounds Jim Lommasson |
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Aesthetics of Abandonment: The Dixie Square Project Christopher W. Luhar-Trice |
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African Queens Thomas Miller |
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Mostra Loren Minnick |
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Under Wraps Loren Nelson |
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Indian Himalyas Lyssa Palu-ay |
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Touch the Earth Jaye R. Phillips |
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Light Passage Jaye R. Phillips |
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Cabela's Neal Rantoul |
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Pinhole Photos Ruth Ross |
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SouthWest 2 Views Ruth Ross |
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Night Light Uwe Schneider |
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Somewhere Near Here Rylan Steele |
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In Passing Douglas Stockdale |
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Oceanus Elisabeth, Tonnard |
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Two of Us. Encounters Elisabeth Tonnard |
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Hong Kong August 2005 Dennis Witmer |
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Near Midas Dennis Witmer |
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The Battered Trucks of Barrow Dennis Witmer |
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M in a Box AJ Zelada |
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News Flash!! Photo+Book was featured in an article in The Oregonian Newspaper. Read it here.
Best of Show Award Winners
Four photographers were selected to receive a “Best of Show Award” for Photo+Book. These four photographers will exhibit framed photographs from their winning photo books on the gallery walls during the Photo+Book exhibition.
This exhibition was juried by Christopher Rauschenberg—a photographer who has had 83 solo shows in six countries over the last 35 years. His most recent book, Paris Changing: Revisiting Eugene Atget's Paris, was published by Princeton Architectural Press in 2007. His work is in hundreds of private and corporate collections and in numerous museum collections, including the George Eastman House, the San Francisco Museum of Modern Art, the Museum of Fine Arts Houston, the Portland Art Museum and the Butler Institute of American Art. He is a co-founder and a Board member of Photolucida. He is a co-founder and co-director of Blue Sky Gallery where he has co-curated and co-produced over 650 solo exhibitions and 46 group shows. He is a member and co-founder of the Nine Gallery and is the founder of the Portland Grid Project. Learn more about his work at www.christopherrauschenberg.com.
Juror Statement
When I was a young photographer coming of age in the Seventies, there were very few photography books to buy and be inspired by. That is hard to imagine now, when there are so many excellent monographs by so many excellent photographers. Photo-eye books carries over 30,000 titles. To date, 43 monographs by Martin Parr alone have been published, whereas in 1970, a set of 43 photography monographs was pretty much every single one that moved you.
In 1970 Lee Friedlander self-published Self Portrait and Ralph Gibson self-published The Somnambulist and in 1972 Les Krims put out his three odd small books in blue boxes, Little People of America, The Deerslayers and The Incredible Case of the Stack O' Wheats Murders. These books were not retrospectives of a life's work, they represented a new idea of what a photo book could be - an artist, even an emerging artist, presenting one body of work in a book format. We all worshipped at the feet of The Americans by Robert Frank, of course, but the enormity of that accomplishment seemed far beyond anything that I could imagine accomplishing myself. One could aspire to producing books like Krims' or Gibson's, however, which is one reason that photo-eye now has those 30,000 titles.
Print-on-demand books are the second booster kicking in on this rocket-like trajectory of photo book publishing. Instead of needing thousands of dollars to self-publish a good looking book (along with some expertise and a basement to store them in), a photographer now can produce a book for free, buy a copy for himself or herself (and one for mom, I hope!) and make it available to the public, with the print-on-demand publisher taking care of the fulfillment and billing. Among the books in this exhibition, three are books that I already owned, having purchased them from Blurb or Lulu. We are still at the beginning of this new era and it will be exciting to see what new worlds this rocket takes us to. I'm happy to be along for the ride and I hope that you are too.